Pop Art is the name of an artistic movement of the second half of the twentieth century. The
Pop Art is one of the most important artistic movements of the postwar period. He debuted in Britain in the late '50s, but grows mainly in the U.S. since the '60s, expanding its influence throughout the Western world.
This new form of folk art (pop fact is the abbreviation for popular, popular) is in sharp contrast with the excessive intellectualism of Abstract Expressionism and turns his attention to objects, myths and languages \u200b\u200bof the company consumption.
The name "popular" but must be understood correctly. Not as art of the people and for the people but, more specifically, as mass art, that is mass produced. And since the mass has no face, art that expresses it should be as anonymous as possible if it is to be understood and accepted by many possible individuals.
In a world dominated by consumption, Pop art rejects the expression of interiority and dell'istintività and look instead to the outside world, to complex visual stimuli that surround the modern man: the so-called "urban folklore". It is an art open to the most popular forms of communication: comic books, advertisements, paintings reproduced in the series. The fact of wanting to put on canvas or in sculpture elevating everyday objects to artistic expression can be ideally connected to the Dada movement in Switzerland, but completely stripped of the anarchic charge and provocative.
The critique of consumer society, hamburgers, as cars, comics soon turned into a commodity, in which the subject is on the market (art) is completely lowered into the commercial logic. Yet the artists who have been part of this movement had a revolutionary role in their production by introducing the use of tools and non-traditional means of painting, such as collage, photography, cinema, video.
The shameless commodification of modern man, the obsessive pounding advertising, consumerism elected system of life, the comic strip as a single, compound vehicle of written communication, are the phenomena from which the pop artists draw their motivation. In other words, the Pop Art draws its subject from the universe of daily life - especially in American society - and bases its comprehensibility to the fact that the subjects are all absolutely known and recognized.
With different nuances, the artists taking pictures of the means of mass communication, the world of film and entertainment, advertising. The Pop Art in fact use the same language of advertising and is therefore perfectly consistent with the consumer society that produced it. The artist, therefore, is no longer any room for subjective experience and what the status of a mere manipulator of images, objects and symbols have already been manufactured for industrial, commercial or economic. These objects, reproduced through sculpture and painting, are completely impersonal.
In the hands of a pop artist images of the road turn into images "well done" cultured art. The themes depicted are very different: consumer products, everyday objects, characters from the film and television, pictures of billboards, signs, photos from newspapers. _________________________________________________________________________
Gianni Nappa
That said, it appears as pop art in reference to contemporary myths is one of the constants for the Anglo-Saxon artists, while the season for the Italians with Roman says an instinctive sense of Testing by the logos in Schifano, search by motion picture and a reference to the historic sacred wheel for Tano Festa. The last
followers as Nespolo, elaborate chromaticism Mediterranean, opening the way for other artists such as Donzelli playing sull'humor and myths of the twentieth century painting.
artist Beatrice Feo Palermo, reverses the sense of myth and inspired by characters and myths of world history to make ordinary objects that have mass, but not for reproduction from the impact of a society unaccustomed to its roots, culture and deep history.
is that kings, queens, poets, the heroines, the legendary figures appear as a solution to the lack of comprehension of the contemporary art system and pose a double issue of reproducibility in the form only and not for industrial clients unpopular but careful and learned that a healthy understanding of the need for all through the pictures and I can also make reconcile the new experimental painters with the request of the international market that seem geared only to large institutional facilities and museums. The reaffirmation by
POPBAROCCO the vitality of Italian and Mediterranean features that distinguish the world scene for the instinctive cultural memory for the colors strong and passionate and the baroque as sense of belonging to a people that is light, science, innovation in a difficult and contradictory, SOUTH.
Beatrice Feo condensation passionate in his work, values \u200b\u200band anxieties of southern Italy, but also affirms the great sacred predisposition to distribute knowledge as a form of mass understanding through art has always been a vehicle for the first emotional impact, as taught by the church. Posted in Uncategorized
Pop Art is one of the most important artistic movements of the postwar period. He debuted in Britain in the late '50s, but grows mainly in the U.S. since the '60s, expanding its influence throughout the Western world.
This new form of folk art (pop fact is the abbreviation for popular, popular) is in sharp contrast with the excessive intellectualism of Abstract Expressionism and turns his attention to objects, myths and languages \u200b\u200bof the company consumption.
The name "popular" but must be understood correctly. Not as art of the people and for the people but, more specifically, as mass art, that is mass produced. And since the mass has no face, art that expresses it should be as anonymous as possible if it is to be understood and accepted by many possible individuals.
In a world dominated by consumption, Pop art rejects the expression of interiority and dell'istintività and look instead to the outside world, to complex visual stimuli that surround the modern man: the so-called "urban folklore". It is an art open to the most popular forms of communication: comic books, advertisements, paintings reproduced in the series. The fact of wanting to put on canvas or in sculpture elevating everyday objects to artistic expression can be ideally connected to the Dada movement in Switzerland, but completely stripped of the anarchic charge and provocative.
The critique of consumer society, hamburgers, as cars, comics soon turned into a commodity, in which the subject is on the market (art) is completely lowered into the commercial logic. Yet the artists who have been part of this movement had a revolutionary role in their production by introducing the use of tools and non-traditional means of painting, such as collage, photography, cinema, video.
The shameless commodification of modern man, the obsessive pounding advertising, consumerism elected system of life, the comic strip as a single, compound vehicle of written communication, are the phenomena from which the pop artists draw their motivation. In other words, the Pop Art draws its subject from the universe of daily life - especially in American society - and bases its comprehensibility to the fact that the subjects are all absolutely known and recognized.
With different nuances, the artists taking pictures of the means of mass communication, the world of film and entertainment, advertising. The Pop Art in fact use the same language of advertising and is therefore perfectly consistent with the consumer society that produced it. The artist, therefore, is no longer any room for subjective experience and what the status of a mere manipulator of images, objects and symbols have already been manufactured for industrial, commercial or economic. These objects, reproduced through sculpture and painting, are completely impersonal.
In the hands of a pop artist images of the road turn into images "well done" cultured art. The themes depicted are very different: consumer products, everyday objects, characters from the film and television, pictures of billboards, signs, photos from newspapers. _________________________________________________________________________
Gianni Nappa
That said, it appears as pop art in reference to contemporary myths is one of the constants for the Anglo-Saxon artists, while the season for the Italians with Roman says an instinctive sense of Testing by the logos in Schifano, search by motion picture and a reference to the historic sacred wheel for Tano Festa. The last
followers as Nespolo, elaborate chromaticism Mediterranean, opening the way for other artists such as Donzelli playing sull'humor and myths of the twentieth century painting.
artist Beatrice Feo Palermo, reverses the sense of myth and inspired by characters and myths of world history to make ordinary objects that have mass, but not for reproduction from the impact of a society unaccustomed to its roots, culture and deep history.
is that kings, queens, poets, the heroines, the legendary figures appear as a solution to the lack of comprehension of the contemporary art system and pose a double issue of reproducibility in the form only and not for industrial clients unpopular but careful and learned that a healthy understanding of the need for all through the pictures and I can also make reconcile the new experimental painters with the request of the international market that seem geared only to large institutional facilities and museums. The reaffirmation by
POPBAROCCO the vitality of Italian and Mediterranean features that distinguish the world scene for the instinctive cultural memory for the colors strong and passionate and the baroque as sense of belonging to a people that is light, science, innovation in a difficult and contradictory, SOUTH.
Beatrice Feo condensation passionate in his work, values \u200b\u200band anxieties of southern Italy, but also affirms the great sacred predisposition to distribute knowledge as a form of mass understanding through art has always been a vehicle for the first emotional impact, as taught by the church. Posted in Uncategorized
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