Each character in the exhibition TOTAL of his being, intimacy 'OF YOUR COT will perform and tells everyone his story ...
"POP PHOTOS"
Monday, August 27, 2007
New Specialist Dr Letter
POP PORTRAITS: the story gets fun, enjoyable and more ...
Each character in the exhibition TOTAL of his being, intimacy 'OF YOUR COT will perform and tells everyone his story ...
Each character in the exhibition TOTAL of his being, intimacy 'OF YOUR COT will perform and tells everyone his story ...
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BAROQUE POP-BEATRICE FEO draws from history
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I call it as I have often stressed the painting of Beatrice Feo rather "pop histoire" Pop history, why does not "need" just stories Baroque and characters but a 360 ° between the Italian history and mythology and universal ... So 'as himself admits Nappa in many of his reviews about the painting movement that is generating interest, curiosity and excite collectors, gallery owners and critics are Art in Italy and overseas, just days ago a U.S. site dedicated to a beautiful article Beatrice Feo (soon to be online) defining his style "The new pop art made in Italy" ... But it was Philippe Daverio to have the very first intuition, and enter the supreme work with Beatrice Feo "Lamb of God" and the mysterious underworld and "Ophelia" at the 57th Premio Michetti among "The Baroque" ... As he shared in categories participating artists, giving a shiny and more 'than ever relevant definition for each of these. It is part of this new movement in art, the artist also Palermo Gabriele D'Acquisto (pictured left his drawing: "Semele") with uncommon talent chart, which deals with issues instead of the Holy (Saints) and the Profane (characters from mythology, like the beautiful series of "Bacchus" in a completely similar to all the prerogatives of the "B pop." Beatrice Feo was born in Palermo, from a noble family, mother, father, upper middle class, lawyers, grandparents, cousins, uncles, all notaries, or key figures in medicine, a family always immersed in the history of native nobility in the refined elegance of contemporary and ancient culture, although it should make her a notary or a lawyer, Beatrice wavers between the physician and the career of art. The artistic inspiration ... will prevail will investigate with the utmost rigor in schools and Academies of Art in Italy and abroad. Graduating with honors and with due praise. Cosi'come Beatrice begins to surround soon and win the hearts of celebrities of artists important in the history of art as Gianni Dova or friendship with Ugo Nespolo, Salvatore Provino (his teacher at the academy in Palermo), Vittorio Sgarbi, Philippe Daverio, Paul Levi, and many other Italian and international artists, many of the show, music, theater, television and culture ... Artists are able to enrich his already ricchissimo.E Beatrice loves being surrounded by them! It should be noted that many have known as Beatrice Feo abstract painter, and in effect for a period it was a true master of color (as he wrote Emilia Valencia) but we must not overlook the evidence that Beatrice was born as a figurative artist, and remains such, it fascinates el 'intriguing realism, but She goes beyond creating his own recognizable marcatissima artist who makes internazionale.Lei same breath mentions the thousand or two thousand figurative drawings executed between Palermo and Salzburg, perfect shape design of rigorous and extremely precise anatomy, (his teacher was a coroner! ) portraits of friends, his loves. Sometimes carried out even without the model front, without the help of a photo or something else, only with the memory of your face and expressions that have affected ... This graphic component that distinguishes them and Salvo Ferlito (critic ' Palermo art) always sings and puts in evidence is in fact the key to understanding this hybrid between pictorial, graphic and extremely pittorico.Una painting made of layers of color, alchemy of beautiful colors, textures and graffiature.La of contradiction reigns supreme masterpieces and makes Beatrice Feo ... always love the history, law, documents, research, is an expert semeotica perfectly aware of the meanings and mysteries everything and every symbol has roots here ... From the desire to make available, easy to read, to sympathize and modernize his characters, sometimes with humor and irreverence, sometimes with dramatic and extreme cruelty. With his temperament, which is theatrical, ironic, and passionate, but often leads to a vision of raw, deep, mystical and intimate (as in a series of beautiful "read a tramp") reminiscent of the famous Rauschenberg's bed, large artist of the Pop Art Americana.NASCE A NEW WAY TO REVISE HISTORY THROUGH HIS PAINTINGS ... What will be called by others the "baroque pop". Beatrice welcomes the establishment with great interest and enthusiasm, even with great ispirazione.Già American pop art by Warhol had made of everyday objects works of art, the Roman school was then taken as our monuments or icons such artists as Michelangelo (see Tano Festa) ... Beatrice draws in history, its culture, its people to become current and accessible, legible to all, without the boredom of school books, ranging from the French Revolution, mythology (Odysseus) music (Bach and Chopin), the majestic Federico II complete with a falcon on his arm, and icons more 'popular and sacred as (the Lamb of God, pictured top right) absolute masterpiece of his career so far, because it is an exact summary of all his artistic career by Studio-umano.Frank von Wofraum Piranesi
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A new season of Pop Art: "Pop B."
Pop Art is the name of an artistic movement of the second half of the twentieth century. The
Pop Art is one of the most important artistic movements of the postwar period. He debuted in Britain in the late '50s, but grows mainly in the U.S. since the '60s, expanding its influence throughout the Western world.
This new form of folk art (pop fact is the abbreviation for popular, popular) is in sharp contrast with the excessive intellectualism of Abstract Expressionism and turns his attention to objects, myths and languages \u200b\u200bof the company consumption.
The name "popular" but must be understood correctly. Not as art of the people and for the people but, more specifically, as mass art, that is mass produced. And since the mass has no face, art that expresses it should be as anonymous as possible if it is to be understood and accepted by many possible individuals.
In a world dominated by consumption, Pop art rejects the expression of interiority and dell'istintività and look instead to the outside world, to complex visual stimuli that surround the modern man: the so-called "urban folklore". It is an art open to the most popular forms of communication: comic books, advertisements, paintings reproduced in the series. The fact of wanting to put on canvas or in sculpture elevating everyday objects to artistic expression can be ideally connected to the Dada movement in Switzerland, but completely stripped of the anarchic charge and provocative.
The critique of consumer society, hamburgers, as cars, comics soon turned into a commodity, in which the subject is on the market (art) is completely lowered into the commercial logic. Yet the artists who have been part of this movement had a revolutionary role in their production by introducing the use of tools and non-traditional means of painting, such as collage, photography, cinema, video.
The shameless commodification of modern man, the obsessive pounding advertising, consumerism elected system of life, the comic strip as a single, compound vehicle of written communication, are the phenomena from which the pop artists draw their motivation. In other words, the Pop Art draws its subject from the universe of daily life - especially in American society - and bases its comprehensibility to the fact that the subjects are all absolutely known and recognized.
With different nuances, the artists taking pictures of the means of mass communication, the world of film and entertainment, advertising. The Pop Art in fact use the same language of advertising and is therefore perfectly consistent with the consumer society that produced it. The artist, therefore, is no longer any room for subjective experience and what the status of a mere manipulator of images, objects and symbols have already been manufactured for industrial, commercial or economic. These objects, reproduced through sculpture and painting, are completely impersonal.
In the hands of a pop artist images of the road turn into images "well done" cultured art. The themes depicted are very different: consumer products, everyday objects, characters from the film and television, pictures of billboards, signs, photos from newspapers. _________________________________________________________________________
Gianni Nappa
That said, it appears as pop art in reference to contemporary myths is one of the constants for the Anglo-Saxon artists, while the season for the Italians with Roman says an instinctive sense of Testing by the logos in Schifano, search by motion picture and a reference to the historic sacred wheel for Tano Festa. The last
followers as Nespolo, elaborate chromaticism Mediterranean, opening the way for other artists such as Donzelli playing sull'humor and myths of the twentieth century painting.
artist Beatrice Feo Palermo, reverses the sense of myth and inspired by characters and myths of world history to make ordinary objects that have mass, but not for reproduction from the impact of a society unaccustomed to its roots, culture and deep history.
is that kings, queens, poets, the heroines, the legendary figures appear as a solution to the lack of comprehension of the contemporary art system and pose a double issue of reproducibility in the form only and not for industrial clients unpopular but careful and learned that a healthy understanding of the need for all through the pictures and I can also make reconcile the new experimental painters with the request of the international market that seem geared only to large institutional facilities and museums. The reaffirmation by
POPBAROCCO the vitality of Italian and Mediterranean features that distinguish the world scene for the instinctive cultural memory for the colors strong and passionate and the baroque as sense of belonging to a people that is light, science, innovation in a difficult and contradictory, SOUTH.
Beatrice Feo condensation passionate in his work, values \u200b\u200band anxieties of southern Italy, but also affirms the great sacred predisposition to distribute knowledge as a form of mass understanding through art has always been a vehicle for the first emotional impact, as taught by the church. Posted in Uncategorized
Pop Art is one of the most important artistic movements of the postwar period. He debuted in Britain in the late '50s, but grows mainly in the U.S. since the '60s, expanding its influence throughout the Western world.
This new form of folk art (pop fact is the abbreviation for popular, popular) is in sharp contrast with the excessive intellectualism of Abstract Expressionism and turns his attention to objects, myths and languages \u200b\u200bof the company consumption.
The name "popular" but must be understood correctly. Not as art of the people and for the people but, more specifically, as mass art, that is mass produced. And since the mass has no face, art that expresses it should be as anonymous as possible if it is to be understood and accepted by many possible individuals.
In a world dominated by consumption, Pop art rejects the expression of interiority and dell'istintività and look instead to the outside world, to complex visual stimuli that surround the modern man: the so-called "urban folklore". It is an art open to the most popular forms of communication: comic books, advertisements, paintings reproduced in the series. The fact of wanting to put on canvas or in sculpture elevating everyday objects to artistic expression can be ideally connected to the Dada movement in Switzerland, but completely stripped of the anarchic charge and provocative.
The critique of consumer society, hamburgers, as cars, comics soon turned into a commodity, in which the subject is on the market (art) is completely lowered into the commercial logic. Yet the artists who have been part of this movement had a revolutionary role in their production by introducing the use of tools and non-traditional means of painting, such as collage, photography, cinema, video.
The shameless commodification of modern man, the obsessive pounding advertising, consumerism elected system of life, the comic strip as a single, compound vehicle of written communication, are the phenomena from which the pop artists draw their motivation. In other words, the Pop Art draws its subject from the universe of daily life - especially in American society - and bases its comprehensibility to the fact that the subjects are all absolutely known and recognized.
With different nuances, the artists taking pictures of the means of mass communication, the world of film and entertainment, advertising. The Pop Art in fact use the same language of advertising and is therefore perfectly consistent with the consumer society that produced it. The artist, therefore, is no longer any room for subjective experience and what the status of a mere manipulator of images, objects and symbols have already been manufactured for industrial, commercial or economic. These objects, reproduced through sculpture and painting, are completely impersonal.
In the hands of a pop artist images of the road turn into images "well done" cultured art. The themes depicted are very different: consumer products, everyday objects, characters from the film and television, pictures of billboards, signs, photos from newspapers. _________________________________________________________________________
Gianni Nappa
That said, it appears as pop art in reference to contemporary myths is one of the constants for the Anglo-Saxon artists, while the season for the Italians with Roman says an instinctive sense of Testing by the logos in Schifano, search by motion picture and a reference to the historic sacred wheel for Tano Festa. The last
followers as Nespolo, elaborate chromaticism Mediterranean, opening the way for other artists such as Donzelli playing sull'humor and myths of the twentieth century painting.
artist Beatrice Feo Palermo, reverses the sense of myth and inspired by characters and myths of world history to make ordinary objects that have mass, but not for reproduction from the impact of a society unaccustomed to its roots, culture and deep history.
is that kings, queens, poets, the heroines, the legendary figures appear as a solution to the lack of comprehension of the contemporary art system and pose a double issue of reproducibility in the form only and not for industrial clients unpopular but careful and learned that a healthy understanding of the need for all through the pictures and I can also make reconcile the new experimental painters with the request of the international market that seem geared only to large institutional facilities and museums. The reaffirmation by
POPBAROCCO the vitality of Italian and Mediterranean features that distinguish the world scene for the instinctive cultural memory for the colors strong and passionate and the baroque as sense of belonging to a people that is light, science, innovation in a difficult and contradictory, SOUTH.
Beatrice Feo condensation passionate in his work, values \u200b\u200band anxieties of southern Italy, but also affirms the great sacred predisposition to distribute knowledge as a form of mass understanding through art has always been a vehicle for the first emotional impact, as taught by the church. Posted in Uncategorized
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